This past Sunday, a trip to Leongatha wasn’t just a scenic Australian drive; it was a portal into the enchanted world of Stephen Sondheim’s Into the Woods. Having been impressed by Leongatha Lyric’s past productions (especially their take on The Producers), the promise of another high-quality show, enhanced by their innovative video backdrops, was irresistible.

Stepping into the theatre, the meticulous set design was immediately captivating. Lush details brought the woods to life, and a special shout-out goes to the stagehands who seamlessly blended into the background, their silent efficiency adding to the magic.

As a first-time viewer of Into the Woods, I was enthralled by Sondheim’s clever weaving of classic fairytales like Jack and the Beanstalk, Cinderella, and Red Riding Hood. This unique blend made the story accessible to all ages, offering a fresh perspective on familiar characters.

The lead performances were outstanding. Tim Gessell and Kerryn Lockhart possessed a believable chemistry as the Baker and his Wife, drawing the audience into their quest to break the witch’s curse. Imogen Whittaker’s transformation from a grotesque hag to a glamorous enchantress was captivating, while young Taine Lowe solidified his rising star with an emotionally nuanced and honest portrayal of Jack.

Musically, the show was a delight. The opening number, “Into the Woods,” set the stage perfectly with the entire cast weaving together. “Ever After,” another ensemble piece, was a powerful showcase, and “Agony” provided a hilarious moment for the two Princes, each vying for comedic supremacy.

Leongatha Lyric’s Into the Woods is a resounding success, a fitting tribute to their 60th anniversary season. The production’s quality makes the scenic drive to Leongatha worthwhile for anyone who appreciates community theatre, Sondheim’s brilliance, or simply good musical storytelling.