Review The Black Woman of Gippsland

Review

The Black Woman of Gippsland

Southbank Theatre, The Sumner

Melbourne Theatre Company

Southbank Theatre
05 May – 31 May
More Info

The Melbourne Theatre Company’s latest offering at Southbank Theatre’s The Sumner plunges us headfirst into the intriguing historical rumour of the “white woman of Gippsland,” a European woman reportedly seen amongst the Gunaikurnai people in the 1840s. As an audience member, this was a tale previously unknown to me, but under the direction of Andrea James, the talented MTC ensemble breathes a contemporary life into this Australian myth.

This gripping modern mystery, reminiscent of a compelling true-crime podcast, immediately captivated me. The central question – Who was the white woman of Gippsland? – hangs heavy in the air from the outset.

We are swiftly introduced to Jacinta, portrayed with a natural ease by Chenoa Deemal. As a driven 26-year-old university student, Jacinta becomes our guide, relentlessly pursuing the truth behind the myth, seemingly unfazed by the distractions of everyday life. Anchoring Jacinta’s world are her aunt (a grounded performance by Ursula Yovich) and cousin (played with relatable charm by Zach Blampied). This trio expertly embodies a typical family dynamic from regional Victoria.

The staging, while simple, proves remarkably effective. Three distinct areas delineate the various settings, with the hotel wall standing out as a particularly evocative piece. The lighting design is also integral to the storytelling, employing effective projections and mood shifts to subtly guide the narrative.

Adding another layer of depth is the choreography by Brent Watkins. Like a meandering river, it flows seamlessly throughout the production, enhancing the traditional elements of the story and cleverly integrating them into the modern framework.

More than just a mystery, this show serves as a potent reflection on modern history, actively challenging colonial myths surrounding Australia’s past. In bringing this story to the stage, the MTC offers a crucial alternative perspective on history, prompting the audience to reconsider established narratives.

“The White Woman of Gippsland” is an excellent production that will undoubtedly hook you from its compelling beginning.

Tim Ghys

Tim Ghys

Although Tim is relatively new to attending musicals, he and his family (wife and two daughters, ages 8 and 6) have been exploring the world of musical theater with enthusiasm. As a teacher with 20 years of experience, Tim has also helped to write, direct, and produce four original primary school musicals.
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