Topdog/Underdog

Review

Topdog/Underdog

Southbank Theatre, The Lawler

Melbourne Theater Company

Southbank Theatre
23 Aug – 21 Sep
More Info

“Lean in close and watch me now.”
Topdog/Underdog is a gripping tale of two brothers, fighting to survive in a world that has all but given up on them. This story delves into themes of power, conflict, and trauma, with a historical undercurrent that adds a layer of complexity.

The characters’ names, Lincoln and Booth, are a deliberate choice, referencing the American president and his assassin. This parallel highlights the underlying tension and potential for violence between the two brothers.

The dynamics of the show are intriguing, with Booth, the younger brother, seemingly holding all the power. He owns his own place, has a potential girlfriend, counts the money each week, and gets served dinner. However, one thing Booth cannot do is throw the cards. Despite his constant attempts, Lincoln insists that Booth has two left hands and is not as skilled as he is. This disparity in abilities creates a constant source of conflict between the two.

This two-person show, set in a simple apartment without running water, features Damon Manns as Lincoln, who delivers a powerful performance as the towering older brother. His portrayal of the wiser head of the two is captivating, and his card-throwing skills mesmerize the audience time and again, as he throws the cards and even had me trying to guess which card is the winner (the black card).

Ras-Samuel plays Booth (also known as Three-Card) with incredible energy and physicality. His effortless pull-ups and push-ups while delivering lines are impressive, but his intense performance as the show reaches its climax is truly remarkable. Ras-Samuel perfectly captures the younger brother’s constant striving to be better and fill his big brother’s shoes.

Making a directorial debut is Bert LaBonté, who does a fantastic job in the intimate Lawler Theatre in Southbank, creating a sense of intimacy and connection with the audience. Despite the actors not wearing microphones, the small theater space ensures that the audience can hear clearly. LaBonté’s direction makes the audience feel like they are a part of the scene, observing this family dynamic from a close perspective.

Topdog/Underdog is a must-see show that explores the complexities of sibling relationships and the struggles of survival. With its gripping performances, historical undertones, and intimate setting, this production is sure to leave a lasting impression. Don’t miss your chance to see it before September 21st.

Tim Gyhs

Tim Gyhs

Although Tim is relatively new to attending musicals, he and his family (wife and two daughters, ages 8 and 6) have been exploring the world of musical theater with enthusiasm. As a teacher with 20 years of experience, Tim has also helped to write, direct, and produce four original primary school musicals.
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