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Flying High: Rehearsals, Tap Shoes and the Heart of Mary Poppins


🎭 Mary Poppins
🗓️  13 June to 22 June
📍 The Karralyka Theatre, Ringwood
🎟️  mdms.org.au/marypoppins

Andrew G sits down with two of the stars bringing a beloved classic to life: Hannah Simos Garner and Jason Sainsbury King, who step into the iconic roles of Mary Poppins and Bert for MDMS’s spectacular new production. Their conversation is a heartfelt and enlightening deep dive into what it takes to honour the legacy of such legendary characters while making them feel fresh and relevant for today’s audiences.

From the outset, both Hannah and Jason speak candidly about the thrill and the pressure of being cast in roles that have shaped generations. For Hannah, the shadow of Julie Andrews looms large, but rather than imitate, she leans into her classical vocal training to bring her own warmth and integrity to Mary. With guidance from trusted mentors like Vicky Quinn and Carrie Bar, she has worked to shift from the pristine precision of classical performance into the more conversational and emotionally expressive world of musical theatre. The result is a Mary Poppins who feels both familiar and entirely her own.

Jason’s journey back into Bert’s world is equally compelling. Having started performing as a child, he dusted off his jazz, tap and even aerial skills to embody the charming chimney sweep. But Bert’s joy and energy are not just about physicality, they are about connection. As Jason explains, the real magic of the character lies in how he grounds the fantastical with genuine care and whimsy. The chemistry between Bert and Mary, he says, is almost celestial, a word that perfectly captures their shared purpose, quiet affection and playful synchronicity.

That dynamic chemistry becomes even more important in a production where so much storytelling happens in movement and unspoken moments. Whether it is a knowing glance during a song or a shared breath before a big dance number, their ability to read each other and move as one is the result of careful rehearsal and mutual trust. It is a beautiful reminder of how theatre is never about one person, it is about the connection between people, onstage and off.

Of course, no conversation about Mary Poppins would be complete without discussing the magic. And there is plenty of it. From flying effects to quick costume changes, the show is full of technical feats that dazzle the audience. But as both performers point out, none of it happens by accident. Every snap that brings a room to order or flight that sweeps Mary offstage is the result of tireless behind-the-scenes teamwork and split-second timing. Jason is quick to credit the tech crew for making the impossible look effortless. And that spirit of collaboration extends to the youngest members of the cast as well.

Working with child performers is one of the most joyful and rewarding parts of the production, both say. Hannah sees herself not just as a co-star, but as a kind of guide, helping young actors develop confidence and presence onstage. For many of the children, this is their first experience in a full-scale musical, and the sense of responsibility and wonder they bring to each performance elevates the show’s heart even more. Watching Jane and Michael Banks grow into their roles, night after night, is a privilege the leads clearly do not take lightly.

And then there is the dancing, specifically the marathon number Step in Time. Jason describes it as a physical beast, combining complex tap choreography, sustained energy and razor-sharp precision. It is not just a dance number, it is a full-body expression of joy, community and connection. For the cast, it is also a reminder of how much hard work goes into making musical theatre feel spontaneous and free. Every leap and rhythm is built on weeks of repetition, sweat and trust.

What makes this production truly resonate, however, is its emotional depth. Beneath the whimsical surface of Mary Poppins is a story about strained relationships, distant parents and the restorative power of imagination. These themes are just as relevant now as they were in the early twentieth century. In a time where families are pulled in every direction and childhood is more complicated than ever, Mary Poppins offers a gentle, magical reminder of the importance of connection, empathy and play.

As the interview draws to a close, Hannah and Jason reflect on what “practically perfect” really means. It is not about flawless execution or ideal behaviour. It is about intention. About showing up, doing your best and making space for magic in everyday life. That sentiment speaks volumes, not only about their characters, but about their approach to the craft.

Whether you are introducing a child to Mary Poppins for the first time or returning as an adult for a dose of nostalgia, this production promises enchantment for all ages. The attention to detail, the care in performance and the sheer love radiating from the cast make it a must-see.

MDMS’s Mary Poppins is currently playing and tickets are available now. Do not miss your chance to see the magic unfold, live and in full colour. After all, as Mary might say, anything can happen if you let it.

AndrewG

AndrewG

Andrew G is a theatre producer who shares insights and engaging conversations with fellow theatre people on his YouTube channel and Instagram (@AndrewGShowtime).
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