Review

Golden Blood

Arts Centre Melbourne's Fairfax Studio

Melbourne Theatre Company

Merlynn Tong’s Golden Blood is a gripping exploration of familial bonds and the seductive allure of the criminal underworld. This electrifying two-hander, masterfully directed by Tessa Leong, premiered at the Arts Centre Melbourne on the 30th of October 2024.

The play centers on the turbulent relationship between Girl and Boy, two siblings navigating the complexities of their bond against the vibrant and dangerous backdrop of Singapore. Tong (who was also the writer) and Charles Wu deliver powerhouse performances, their chemistry igniting the stage with raw energy and palpable tension. Tong’s portrayal of Girl is particularly compelling, as she effortlessly transitions from the wide-eyed innocence of a child to hardened resilience in the space of 7 years. Wu’s portrayal of Boy is equally impressive, his charismatic performance masking a troubled soul.

The minimalist set design by Michael Hankin, coupled with Fausto Brusamolino’s dynamic lighting and Rainbow Chan’s pulsating score, creates an immersive atmosphere that transports the audience to the heart of Singapore’s bustling streets and seedy underbelly. The use of the three white boxes to create somewhat of a triangular ‘canvas’ painted on by the lighting design could seamlessly transport us from the walls of Boy & Girls apartment to the wild depths of a Singaporean club in the blink of an eye. The rapid-fire dialogue and frequent scene changes keep the pace brisk, ensuring that the audience remains engaged throughout the 90-minute performance.

One of the play’s most striking elements is the use of light and sound. The golden box of light, framing the actors’ eyes during their interactions with the deceased parents, is a visually stunning and emotionally resonant device that has audience waiting on bated breath. The pulsating soundtrack, seamlessly integrated into the narrative, adds to the play’s frenetic energy and underscores the characters’ internal turmoil brilliantly.

Tong’s script is sharp and witty, filled with memorable dialogue and unexpected twists. The inclusion of Singaporean dialect and cultural references adds depth and authenticity to the characters and setting. With what I would expect will be a primarily Australian audience this also makes for interesting learning.

Golden Blood is a thrilling and unforgettable theatrical experience that leaves audiences pondering the complexities of family, love, and the choices we make.

Tayla Dwyer

Tayla Dwyer

Tayla Dwyer is a seasoned theatre performer with over a decade of experience captivating audiences both locally and internationally. Her lifelong passion for the arts has led her to grace stages around the world, sharing her talent and dedication to the craft. A mother of two daughters, Tayla finds solace and inspiration in immersing herself in the world of theatre, taking moments for herself to appreciate the beauty and power of live performance. As a theater reviewer, Tayla brings her unique perspective and keen eye for detail to her critiques, offering insightful and engaging commentary on the latest productions.
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