Louisa May Alcott’s cherished tale of the March sisters comes to life in Little Women: The Broadway Musical. Set against the backdrop of the Civil War, we follow Meg, the eldest who dreams of love and a family; Jo, the fiercely independent and tomboyish writer; Beth, the gentle heart who brings light to their home; and Amy, the youngest with a fiery and playful spirit. Living in Concord, Massachusetts, with their loving Marmee while their father serves in the war, the sisters navigate the challenges of growing up. With moments of adventure, both real and imagined, heartbreak, and a deep sense of hope, their journey to find their own paths reflects the struggles and dreams of a country coming of age.
From the moment Malvern Theatre Company’s production of Little Women: The Broadway Musical began, it was clear that audiences were in for something truly special. Under the masterful direction of Alan Burrows, this beloved classic has been brought to life with such vivid detail and emotional depth that it feels as if the March sisters themselves have stepped out of Louisa May Alcott’s pages and onto the stage.
The cast, led by the outstanding Anna Bearsley as Jo March, delivered performances that were nothing short of extraordinary. Anna’s portrayal of Jo was both passionate and nuanced, capturing the spirit and determination of the character while also revealing her vulnerability and deep love for her family. Her powerful voice filled the theatre, particularly in the show-stopping number “Astonishing,” where her emotional intensity left the audience breathless. Anna’s performance of Jo is a force to be reckoned with, and she sets a high bar for the rest of the ensemble, who rise to meet her with equal skill and commitment.
Elleni Habibis as Amy March brought a delightful energy to the stage, balancing Amy’s playful mischief with moments of genuine emotion. Her chemistry with Anna was palpable, especially in their scenes of sisterly rivalry and reconciliation. Liliana Braumberger as Meg March exuded grace and warmth, perfectly embodying the eldest sister’s romantic nature, while Emma Venzke’s Beth March was the heart of the production, delivering a touching and tender performance that resonated deeply with the audience. Megan Coe as Marmee March provided a steady, loving presence, her rich voice lending weight to the role of the family matriarch.
But it wasn’t just the leads who shone in this production. The ensemble cast, including Adam Bianco as Professor Bhaer and Elliot Shute as Laurie Laurence, added depth and vibrancy to the show. Adam, who also served as the musical director, demonstrated a remarkable ability to juggle both roles. His portrayal of Professor Bhaer was both charming and dignified, and his musical direction ensured that every note and harmony was pitch-perfect, making the entire score a joy to listen to.
One of the production’s standout features was its impeccable costume design. Dina Mac Namara and Maria Smedes did an exceptional job of capturing the period, with each character’s attire perfectly reflecting their personality and status. From Jo’s practical, tomboyish outfits to Amy’s more elaborate and fashionable dresses, every detail was carefully considered, adding to the authenticity of the setting.
The set design, created by Barry Pearce, was nothing short of genius. The March family’s home was brought to life with warmth and attention to detail, creating a space that felt both lived-in and loved. Particularly impressive was the multifunctional table that transformed into a fireplace, complete with hidden compartments. This clever piece of design not only added visual interest but also played a crucial role in several scenes, seamlessly integrating with the action on stage. The way it was used to reveal hidden letters or to create an intimate, cozy atmosphere around the fire was nothing short of magical, and it demonstrated the level of thought and care that went into every aspect of this production.
The lighting, by Deryk Hartwick, and sound design, by Colin Prohasky, further enhanced the atmosphere, with each scene bathed in the soft, warm glow or the harsh, cold light of reality as the story required. The seamless transitions between scenes, aided by Nicholas Opolski’s expert stage management, kept the pacing brisk and engaging, ensuring that the audience remained captivated from start to finish.
In conclusion, Malvern Theatre Company’s Little Women – The Broadway Musical is a triumph on all fronts. With stellar performances from the lead actors, an ensemble cast that brings the world of the March sisters to life, this is a show that should not be missed. Whether you’re a longtime fan of the story or new to the world of Little Women, this production is sure to leave a lasting impression.
Show Dates: 23 August to 7 September
To book tickets, visit our website at www.malverntheatre.com.au/book-tickets or phone 1300 131 552.
